{"id":1316,"date":"2016-01-17T15:58:47","date_gmt":"2016-01-17T14:58:47","guid":{"rendered":"http:\/\/www.maderthaner.cc\/?page_id=1316"},"modified":"2016-02-29T17:58:45","modified_gmt":"2016-02-29T16:58:45","slug":"suedbahnhof","status":"publish","type":"page","link":"https:\/\/www.maderthaner.cc\/index.php\/projects\/suedbahnhof\/","title":{"rendered":"S\u00fcdbahnhof"},"content":{"rendered":"<p>[et_pb_section][et_pb_row][et_pb_column type=&#8220;1_3&#8243;][et_pb_image admin_label=&#8220;S\u00fcdbahnhof&#8220; src=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/suedbahnhof.jpg&#8220; show_in_lightbox=&#8220;on&#8220; url_new_window=&#8220;off&#8220; animation=&#8220;off&#8220; sticky=&#8220;off&#8220; title_text=&#8220;S\u00fcdbahnhof, 325 x 125 cm Print auf Leinen, 2002&#8243; alt=&#8220;S\u00fcdbahnhof&#8220; \/][et_pb_slider admin_label=&#8220;Slider&#8220; show_arrows=&#8220;on&#8220; show_pagination=&#8220;on&#8220; auto=&#8220;on&#8220; parallax=&#8220;off&#8220; 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background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_guentheruecker.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][et_pb_slide heading=&#8220;Guillaume Bijl&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_guillaumebijl.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][et_pb_slide heading=&#8220;Jeff Koons&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_jeffkoons.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][et_pb_slide heading=&#8220;John Armleder&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_johnarmleder.jpg&#8220; 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background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_richardprince.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][et_pb_slide heading=&#8220;Wolfgang Laib&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_wolfganglaib.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][et_pb_slide heading=&#8220;Yves Klein&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_yvesklein.jpg&#8220; background_color=&#8220;#ffffff&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; \/][\/et_pb_slider][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243;][et_pb_text admin_label=&#8220;titel&#8220; background_layout=&#8220;light&#8220; text_orientation=&#8220;left&#8220;]<\/p>\n<h4>S\u00dcDBAHNHOF<\/h4>\n<p>325 x 125 cm<br \/>\nPrint auf Leinen<br \/>\n2002<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8220;s\u00fcdbahnhof&#8220; background_layout=&#8220;light&#8220; text_orientation=&#8220;left&#8220;]<\/p>\n<p>&nbsp;<\/p>\n<h5>REkontextualisierung<\/h5>\n<p>Ein Bahnhof erf\u00fcllt zahlreiche Funktionen verkehrstechnischer, \u00f6konomischer, sozialer und politischer Art &#8211; und er ist frei zug\u00e4nglich. Eine konkrete Verortung eines Kunstwerks an diesem \u00f6ffentlich, demokratisch gedachten Ort, muss als Kontextualisierung passieren. Der Bahnhof selbst ist in seiner vermeintlichen Durchorganisiertheit, ein Konglomerat an bunter Werbung, Baustellen, Leitsystemen und unliebsamer Fauna, l\u00e4sst das Gef\u00fchl von modernistischer und br\u00fcchiger Wehmut aufkommen. Der Ort ist, gerade wegen seiner unfreiwilligen Verweigerung zum \u201cstreamline\u201d ein Ort voller Kunstverweise.<br \/>\nDas Archiv der Avantegardekunst, den Ged\u00e4chtnisspeicher im Kopf, gleicht eine Wanderung durch den Bahnhof einer Wanderung durch ein Museum zeitgen\u00f6ssischer Kunst. Die \u201cLook-a-likes\u201d dr\u00e4ngen sich f\u00f6rmlich auf, dort ein \u201cYves Klein\u201d, da eine \u201cAgnes Martin\u201d, usw.<br \/>\nDiese Rekontextualisierungen als Werbeplakat f\u00fcr ein fiktives Museum im \u00f6ffentlichen Raum umzudeuten, schien naheliegend. Realisiert wurden diese Kunstverweise ebenfalls von einer fiktiven K\u00fcnstlergruppe, die sich aus Angestellten der Bahn zusammensetzt.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[et_pb_section][et_pb_row][et_pb_column type=&#8220;1_3&#8243;][et_pb_image admin_label=&#8220;S\u00fcdbahnhof&#8220; src=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/suedbahnhof.jpg&#8220; show_in_lightbox=&#8220;on&#8220; url_new_window=&#8220;off&#8220; animation=&#8220;off&#8220; sticky=&#8220;off&#8220; title_text=&#8220;S\u00fcdbahnhof, 325 x 125 cm Print auf Leinen, 2002&#8243; alt=&#8220;S\u00fcdbahnhof&#8220; \/][et_pb_slider admin_label=&#8220;Slider&#8220; show_arrows=&#8220;on&#8220; show_pagination=&#8220;on&#8220; auto=&#8220;on&#8220; parallax=&#8220;off&#8220; parallax_method=&#8220;off&#8220;][et_pb_slide background_color=&#8220;#ffffff&#8220; image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_barbarakruger.jpg&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_barbarakruger.jpg&#8220; heading=&#8220;Barbara Kruger&#8220; \/][et_pb_slide background_color=&#8220;#ffffff&#8220; image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_angelabulloch2.jpg&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; heading=&#8220;Angela Bulloch&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_angelabulloch2.jpg&#8220; \/][et_pb_slide background_color=&#8220;#ffffff&#8220; image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_angelabulloch-1.jpg&#8220; alignment=&#8220;center&#8220; background_layout=&#8220;dark&#8220; allow_player_pause=&#8220;off&#8220; heading=&#8220;Angela Bulloch&#8220; background_image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_angelabulloch-1.jpg&#8220; \/][et_pb_slide background_color=&#8220;#dd3333&#8243; image=&#8220;https:\/\/www.maderthaner.cc\/wp-content\/uploads\/2016\/01\/bhf_agnesmartin-1.jpg&#8220; alignment=&#8220;center&#8220; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":414,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1316","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/pages\/1316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/comments?post=1316"}],"version-history":[{"count":0,"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/pages\/1316\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/pages\/414"}],"wp:attachment":[{"href":"https:\/\/www.maderthaner.cc\/index.php\/wp-json\/wp\/v2\/media?parent=1316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}